My Sandwich Family & Other Adventures – continued from The Day Before
Thursday May 10, 2018
In Emergency – Part 2
We have been in Emergency for what, hours? I know that something is terribly wrong, but what? Not long ago I was feeling so amazing, so on top of life.
Now, I know that Joe is an amazing man. I know that he will stand by me in any crisis. But he will never look at me the same way when he discovers we are here under false pretences. We’ll never be the same again. I’ve trashed our lives.
I start grasping around for something to save me from being discovered as… as what? A fraud? An unfit mother? – Stay away from Lachie, I tell myself. Don’t forget. Keeping a distance from my baby is something I instinctively understand is important. I don’t want anyone to think for a second that I could harm him. I don’t know where this idea comes from, but I do it anyway. I stand in the middle of the room, away from everyone.
Outside the curtain that they have pulled around us, it is very busy. I see feet under the curtain, and people and gurneys moving past the 1-metre gap on the right, where the curtain opens. Behind that screen, it seems that the hospital has the actors mustered. It seems bizarre, but maybe they are on staff and used regularly in situations like this. This is logical enough. The actors have been well briefed; I assume Joe has told them all about me, because he is the only person who could give them all of this information. It’s as if a bunch of New Idea reporters have crawled all over my life, my memories and my experiences and come up with all of this awful stuff. They now know all of the shameful things Joe knows about me. And the pettiness of the detail is astonishing.
I think perhaps some of the actors have misunderstood the information, or perhaps they have become carried away with their roles, because I don’t always understand their jibes. They sometimes only tangentially hit on a sore point.
A couple of women talk about a guy I supposedly fancy, but the trouble is that I don’t know anyone called Kyle. My niece-in-law’s boyfriend is called Kyle, but I’ve never met him, so that isn’t a great way to hurt me. Maybe Joe wasn’t able to give them a name, and I’m relieved about that. There’s been no one but Joe for years now, so that could explain it. But they go on about how hot Kyle is and what one of the women would like to do to him. What I’dlike to do to him is the clear message here. They don’t know that I’m not like that.
Something else that is upsetting me is that this is the hospital where my mother was poked and prodded for hours before they realised the bleeding obvious – that she’d had a stroke. This is also the hospital where my father is currently being seen for his Alzheimer’s and dementia. I have come here with him several times. Finally, this is the hospital where less than three weeks ago, I gave birth to Lachlan in stressful circumstances. I’m just not happy being here.
My Lachlan sits on the floor, folded almost in half in the car capsule. There is a soft toy tiger in there with him, but it’s the wrong tiger – it’s not the one I remember. It’s not the tiger that Joe always packs in his bag and brings with us on holidays as a sweet gesture. This is a different tiger. Is it a sign? Oh God – does that mean they’ve switched Lachlan for another baby, too? I squint and strain my eyes to try to see if the baby in the capsule is still my own. I’m afraid they might take him from me. I know they are testing me. Do I recognise his cry? Do I recognise him? Will I let them take him away? My eyesight isn’t very good, but I see the red stork mark on his forehead. He’s still with me. Good.
I have to get myself out of here. Somehow, I have to do something to persuade them to let me, Joe and Lachlan go home. It seems impossible; things are spiralling out of control. They are going to drag me away, inject me full of drugs, and life as I know it will be over. Maybe Joe will be able to give me the safe word. But not now. It’s not the right moment; it’s not the last roll of the dice yet. It’s important to reveal it at the right time. I write a note to myself on my phone: Today I decided to change. Oh fuck. This got out of control. I’ll ask you the safe word.
I desperately need someone to give me a sign. A sign they know and believe me. When they give me that word, it will be over and the hospital will let me go. In what state, however, I just don’t know.
My brother-in-law Tom is here. When did he arrive? He’s holding Lachie, and Lachie’s not happy about it. He’s grizzly and wriggly in his skinny arms.
‘He’s kvetching,’ says Joe, using one of the Yiddish words I often use.
‘Hmm. Ka-vet-ching,’ says Tom, deadpan, trying out the unfamiliar word, ‘but no tears at all.’ I snap my head to look at him. Why is he here and why is he holding Lachie? Maybe he’s here to be involved in the baby switch. I’ll have to watch him and Lachie closely. The three of us stand staring at one another.
In any case, I hate Tom for holding Lachie. From his comment he also seems to have noticed that I can’t cry even though I’m acutely distressed. And that’s bad for me. It means these people might not believe me.
‘Tom, you’re a terrible actor,’ I tell him. He has this flat voice, which shows no emotion, which just doesn’t work if you want your acting to be realistic. Doesn’t he know that? He simply stares back at me. Can’t he take direction? The curtain twitches as one of the actors sets himself up, presumably for the next assault on me. I turn and look at the huge clock that is on the back wall. It’s 2.15. Is it am or pm? It doesn’t say and I can’t see outside to work it out.
Damn Tom. My boy is asleep. Is he moving? He’s peaceful. Not grizzling at all. I look very hard at him, to make sure it’s still him. I wish Tom would put Lachie back in his capsule. It’s harder to take the whole capsule than to pass a baby from one person to another.
My brain hurts. I don’t know what to do. I don’t know how to make it stop. I’ve sent so many text messages to myself. I’ve written so much shit in that bloody book that I’ve confused myself. Still waiting for that sign. Still don’t know what sign I’m waiting for or how I know I’ll recognise it when I hear it.
That’s it!
I grab my bag and fish out the book. Joe makes an exasperated sound. I guess he’s sick to death of me scribbling in this fucking book. He doesn’t know what I know; that getting rid of it is not the last card I have to play, because I have already typed 10,000 words, tap-tapping on my computer in the wee small hours between feeds when I couldn’t and wouldn’t sleep. When I had two hands I typed; when I had one hand, I wrote longhand in the book, and when I’ve had no hands while feeding Lachie I made voice recordings. Most importantly, I’ve kept every detail of what happened and what we said in my head, stretching my mind to it’s greatest extreme. I’ve stayed awake, either writing or recording every detail. Or if I am holding something in my head and something more interesting happens, I can push that less exciting information out of my skull and into oblivion. It’s exhausting, but it’s all there in my head, on a page, or in a recording. Word for word. I can put my hand on my heart and swear that every word of what I’m writing is true. That every conversation is verbatim. Who can swear to that?
If I lose the book, I lose a lot, but it’s not my last card. Maybe it can give me what I need. Maybe it can provide the sign.
I open the book to the last entry on page 85. I started writing in this book only a few days ago and I have filled it with every thought that seemed interesting, useful or bizarre. Thoughts, recipes, lists, book ideas are all crammed in. I write on this final page in large letters:
Burn the Book.
Burn this Book.
Tom is standing in the way of the bin. I take a small step to the left of Tom, lean across and throw the book into the bin under the sink in the corner near the break in the curtain, and then move back into my space in the centre of the room. He looks puzzled. I don’t care. I keep myself a safe distance from Tom, who is still holding Lachie. I look around to make sure no one has come in to the back of the room through the other side of the curtain to sneak up behind me. It would be a disaster to be surprised. If they want to try and grab me, I must make sure I’m close enough that I can grab Joe. I’ll be safe with Joe. They can take us both. Joe will sort it out, be my champion. He won’t let them just take me away, no matter what I’ve done.
Will I ever see Lachie again? What happens if they take him away from me? What happens to Joe? Does he get taken away from me too? I have to be careful. If they decide I’m a danger to Lachie, it’s all over. I can grab Joe for protection, but I mustn’t grab Lachie.
‘If she’s acting, that’s not a good sign,’ says a woman on the other side of the curtain. Oh God; they know I’m faking it. Though I can’t remember what illness it is that I’m pretending to have. They know I’m a fraud.
I take out my phone again and write a note. Is it better for Gemma to be insane or for Gemma to think that she’s insane?
‘Could this be…?’ I ask Joe, Tom and the room generally. I struggle for the words again, the name of the sickness I’m supposed to be faking. I look at Joe and his bewildered and exhausted face doesn’t help me to think clearly, but eventually I wrestle the name from somewhere in my overloaded and sleep-deprived brain.
‘I could have Post-Natal Depression, right?’
‘Yes,’ says Joe sadly, ‘yes, that’s possible.’
‘Ok.’ I say. ‘Maybe that’s it.’
Out of the corner of my eye, I see a young woman empty the bin. Well, at least that’s done. Now they’ll go through The Book and use whatever they find there against me. I can’t remember what’s in it any more. It’s a relief to let The Book go. But I don’t remember what the answer is – the sign. Is it in The Book? Is it The Book itself? I forgot what I just wrote. My brain won’t take any more in. I’m exhausted and at the end of my resources.
‘I just want this to stop,’ I say again to Joe.
‘I’m fighting for you, Gem. Do you believe that?’
I look into Joe’s eyes. I find a moment of quiet there. It is so restful in comparison to the chaos in my brain. I know what I see. I see that all this pain that these actors are inflicting on me is because of him. Joe believes that it is important. That these doctors told him that he had to do it for me. That’s the only reason he would do something so horrible. He is doing it for me. This, at the very least, is a sign.
‘I know that all this is because you love me very much.’
My friend Chris appears at the curtain-door. I smile and frown at him simultaneously. How did he escape work? He comes in and says hello to me, Joe and Tom, who both shake Chris’ hand. I’m hopeful. Maybe Chris can give me a sign, or maybe I texted him the key to this disaster earlier. He looks at me meaningfully, but it’s not clear that he’s giving me a sign. I need Chris to give it to me so all this can end, but he’s just standing there, helpless.
‘Gemma,’ says a new woman. Is it a doctor? A social worker? I wouldn’t be surprised if it were a police officer come to take me away. I don’t even remember how this started anymore.
‘I’m just going to feed your son,’ says the well-dressed woman, who takes him from Tom. Who the hell is she? She wears a grin almost as big at her chunky necklace. As she disappears with Lachie in her arms, she gives me an enormous stage wink. Is that a sign? Why is she giving me a sign?
It is not until she disappears that I realise – I’ve failed. She’s taken Lachie from me, and I just grinned politely and let her. He’s gone. He’s not coming back. I’m lost.
They want to do some tests.
‘What will that do?’ I want to know.
‘It will test your thyroid and your blood pressure…and so on,’ says the nurse, or whoever she is.
‘That’s ridiculous!’ I complain.
A woman duly comes in with a blood pressure machine, but when she starts applying the pressure, I see her just wander away from the machine. It’s too tight and tightening more! She’s trying to test me to see if I’m so far gone that I don’t notice. I tear the Velcro strap off my arm.
Another nurse comes in to take my blood. This is not on. This is what I’ve feared. They’re going to inject me with drugs and take Lachie away. Where’s Lachie? I look over and miraculously he’s there, comfy back in the car capsule and presumably fed, the strange tiger toy on his lap.
I tell them I don’t want to do a blood test, but Joe comes very close to me and holds me with both hands and his red-rimmed eyes.
‘Gem, it’s very important that they do this test.’
I trust him. I let them do it. She has a canula, and I don’t understand why that’s necessary. It suddenly occurs to me: it’s not real. They are going to pretend to take blood in order to test me. She pretends to insert the needle into the back of my hand, and pretend blood comes out. But then I see her push the plunger on the tube instead of pulling it out. Here we go! I pull away from the needle and dislodge it from my hand before she can inject me. She doesn’t protest, she just puts a little round Band-Aid on my pretend needle entry wound.
And now they want to take me to the Acute Ward. Bizarrely, they want to take me there in an ambulance.
‘But it’s just across the road,’ I protest, ‘Why can’t we walk there?’
Maybe I can run. I can run onto the university campus – I know it from my time studying at Sydney Uni. They won’t easily be able to track me down. I don’t know what I’ll tell Joe. I can meet him at home later. I hope he’ll let me in the house.
But they make us wait. More hours. More voices taking the piss out of me, making me feel ashamed of my feelings, mocking my life. It’s hard to take. Almost as hard as seeing the pain that is only increasing in Joe’s eyes. The fear in my eyes isn’t going anywhere either. I have forgotten how I got here, but I’m desperate to get out.
The ambulance is outside. I think about running, but Joe has climbed in. ‘I’m going where he’s going’ I think. I climb inside. No one gets in with us. There’s a driver and another person in the front. Joe holds my hand. I hold onto it like a lifeline.
In the few moments we are in the ambulance, they even manage to broadcast something on the radio that mocks my belief in the Cuban santeriagoddess Yemaya. Why would they do that? Can’t they leave me alone? They’ve won – must I be harassed too?
Chris and Tom are in the foyer of the new building the ambulance has brought us to. It is night-time now. I’ve been fighting this all day. A woman comes to tell me that I’m being committed and could I sign some paperwork? The paperwork is confusing, the pronouns seem to shift from ‘I’ to ‘you’. I appeal to Chris, a fellow English teacher, and he confirms that it’s a bit oddly worded.
I write my name and then cross it out. I don’t understand the form and I don’t want to sign away my rights. Joe tells me that it’s very important that I make him a designated carer, so that he can talk to the staff about my care. I don’t write my name, but I write Joe’s name and our address.
I write, ‘I don’t understand. I need advice from a professional.’ They accept the paperwork as it is.
The woman offers to let me see the papers committing me, but tells me that I can’t read them. She tells me that I could be committed for up to three months. The three men – Joe, Tom and Chris – crowd around her, telling her that it isn’t right that I can’t read the document and that she shouldn’t say those things to me. I have flattened myself against the back wall, standing as far away from this disaster as possible. Maybe this is my chance. Maybe Joe will take me home because this paperwork is wrong.
The worst happens. I am committed. My fear has become real – Joe leaves, and who knows if he will come back? I don’t even know where Lachie is. Numb and confused, I follow a nurse into Acute Ward. Chris comes with me, but Joe and Tom are gone. He didn’t even kiss me goodbye.
Inside the ward, it’s dark and there is no one around. The nurse, Annie, is going to take me to my room. I follow her and am yelled at by a burly man for being in a restricted area. I flatten myself against the wall until Annie is ready. In the room there is a trundle bed, a chair a cupboard and a table. There is a bathroom as well. Chris and I sit on the bed and watch Annie show us how the door locks and unlocks. The lock looks complicated and as she fumbles with it. I realise wearily that it will probably not allow me to leave. The door will lock when she leaves, and I’ll be stuck in this room for as long as they want.
I need the bathroom, but I’m not sure that it will unlock for me when I want to leave either. I go to the toilet hastily and get up before I’ve entirely finished, afraid of being bust in on. I’m extremely relieved when I am able to get out of the bathroom. I wasn’t locked in, and no one burst in on me. I had been worried about both possibilities.
Chris and I go out and sit in the empty common room. We are able to make a cup of tea in polystyrene cups. Have I eaten today? I don’t think so. A woman passes us. She is stocky with greying hair pulled back into a short ponytail. She is muttering to herself, but she doesn’t seem to be talking about me.
A man passes us. I flinch as he passes; I’m horrified that there are men here as well. What if he hits me? But he doesn’t. He doesn’t say anything either.
Chris leaves. I think I hug him. I think he is close to tears. I feel nothing. The worst thing, the one thing I had feared, has happened: I’ve been dragged away from my husband and son. There is no point in crying. As Tom said, ‘No tears at all.’
Annie brings a pump for me to express milk. I don’t have a lot at the best of times and I haven’t expressed for a couple of days. Perhaps this is a test. I’m tired of being tested. She leaves me to it, but I can’t make it work; there’s no suction at all. Have I failed even this bloody test? Can’t they stop? Annie comes back, and she can’t make it work either. She brings me another pump; maybe she isn’t testing me. She’s a bit grumpy, but it seems she isn’t trying to trick me. Annie and another young nurse wrestle with the pump to no avail. She takes it away, and I’m finally left alone to sleep.
I sleep a long time. It’s the first time since before Lachie was born that I’ve properly slept. I don’t cry. I don’t dream. At 3am I realise I’m no longer hallucinating. I can also, finally, cry. I do so – copiously.
At 4am, I go out into the common room and make a cup of tea. I meet an indigenous girl called Faith and a woman called Tracey. They tell me their stories. They have been in places like this before. They have already been in Acute Ward for many days each. Faith needs to attend a tribunal later today in order to be released. Tracey is a voluntary patient, but she is having a tough time getting what she needs from the staff.
At 6am I’m able to beg a pad and a pen and I begin to write. To try to make sense of what is happening to me.
At 10.30am I see the doctor. She asks me a lot of questions. I finally ask her one: ‘What is wrong with me?’
‘You have post-natal psychosis.’
At least I’ve heard of that. Since I became pregnant, I read about a woman in the UK who died of it, though I’m sketchy on the circumstances. I also heard an interview with a woman who had it with two or her three children. It sounded terrifying. I sign the paperwork properly this time.
Continue with The Weeks That Follow (final)